Resync By Zerohacker Lebanon GOODFELLAS DVDS
Are you wasting my time, Bourdette?
Are you wasting my time?
If they find out I'm taIking to you, they'II
they'II kiII me.
TeII me how it works.
No, this is...
- this is wrong. This is insane. - Whoa, whoa.
You're doing the right thing
the brave thing. PIease sit down.
What does the hungry rabbit jumps mean?
Stop!
Thank you.
- Happy anniversary. - Happy anniversary.
So where are we five years from now?
Right here at the Lafitte HoteI except we have a babysitter at home.
I Iike that.
- Me too. - A babysitter
bIond, about 19 Swedish
and he's very handsome.
Don't fuck with me.
. . .pIunge to his death today off the roof of a parking structure on Burgundy Street.
- We're going Iive to the scene. - It's where I parked my car.
Joining me is Lieutenant Durgan with the NOPD.
You think we have a murder victim here?
I'm not gonna comment at this time but I wiII teII you that NOPD
is gonna do everything in its power
- to get to the bottom of this. - Yeah, right, another unsoIved case.
- I know what's happening. - It's New OrIeans.
- The city's going in heII. - Oh, come on, we Iove New OrIeans.
Who dat?
WeII, the city may be going to heII but we are going dancing.
That's right.
- Hey, can I ask you something? - Yeah.
How did you two meet?
I'II bet it was reaIIy juicy and romantic.
- No, not reaIIy. - I thought it was.
WeII. . .
Wait, wait, wait, wait, wait, wait. Stop. It's a ''weII''?
I know it's a ''weII''.
Oh, he was sitting with aII these kids Iike, 1 4-15 year oIds.
Their first time at Symphony you couId teII.
- And they were actuaIIy Iistening. - One or two of them.
You know I just thought it was incredibIe what he was doing for those kids.
BuIIshit! Those, no, Iisten, those kids were juveniIe deIinquents.
They were supposed to be in detention
and WiII was supposed to supervise but instead
this son of a bitch uses his own hard-earned cash
to take them to a concert.
- They are my students. - Of course, you do.
Some bad ass kids.
Oh, it's not ''Ow!''. It's Aaaw!
- What? ...What? - CIose your eyes.
Where are you going?
Don't Iook at me.
- Come back. - CIose your eyes.
CIose your eyes. Tight.
Okay.
Put out your hands.
What are you going to do?
UnspeakabIe things.
Happy anniversary.
Oh. . .
It's beautifuI.
I didn't think you've gotten me anything.
Of course, I got you something.
They're IittIe rubies.
Thank you.
I Iove you.
One at a time, pIease. One at a time.
Phone, beepers, knives, guns. If it rings hand it.
Hand over the phone, Edwin.
- What phone? I'm cIean. - And the beeping is...?
- Thank you. Mr. WiII. - Mr. Jimmy.
- Hey, are we stiII on for tonight? - You're going down.
Keep dreaming.
Remember if your phone to schooI, your parents. . .
The expense of spirit in a waste of shame is Iust in action.
And tiII action, Iust is perjured
murderous, bIoody, fuII of bIame savage, extreme, rude, crueI, not to trust.
You see what Shakespeare's doing here? He's using words to create emotions.
What kind of words are these?
They're vioIent words. And why is this important?
Because when you feeI angry, when you wanna punch somebody in the face
you put it on paper instead.
You find words that evoke emotions in you and you do something positive with it.
Edwin.
I couId have sworn I saw the principaI take the phone from you this morning.
Guess what?
If you appIied yourseIf haIf as much to cIass as you do to scamming the schooI
you couId accompIish anything.
Ready to suffer?
Bring it on.
- Thank you. - I'II see you. / I'II see you.
I'm this way.
- Goodnight. - Bye. / Bye.
Bitch, huh?
Get in!
ReaIIy.
Check mate and mate, mate.
I didn't see that coming.
Yo, your probIem, my man, is you pIay it too safe.
You gotta take some chances, you know, pIay not to Iose.
Pretty much ensures defeat.
Set 'em up, asshoIe.
- AII right, good pIay. - AII right.
- Goodnight, Jimmy. - Goodnight.
I'm here to see Laura Gerard. I'm her husband.
Mr. Gerard, if you wouId foIIow me.
I've been caring for your wife ever since she came in.
We've be keeping her pretty sedated on pain medication.
She has severaI deep Iacerations, internaI bIeeding.
We're keeping a cIose watch on her.
Lieutenant Richards, NOPD.
She gave us description.
We're working up a composite Iikeness. We're gonna get there.
CouId you aII give me a moment with my wife? PIease?
I'm sorry.
I wanted to her to come out with us.
Hey, WiII.
I'm so sorry.
The son of the bitch who did this to Laura
they're gonna find him.
Go home, Jimmy. It's Iate.
- I'II be aII right. - Anything you need, man, okay?
- Anything. You just caII me. - Thanks.
CIose your own eyes. Tight.
Thank you.
I'm sorry to hear about your wife.
Sounds terribIe.
Laura, right? Is she okay?
- Are you with the poIice? - No.
No, but I, um. . .
. . .a coupIe of years ago, I experienced something simiIar.
So it's probabIy what you're going through right now.
- You did? - Yeah.
The man who raped your wife, he was, uh...
he was paroIed three weeks ago.
You know who did this?
He's done it before, he'II do it again.
If you want...
we can take care of him for you.
Take care of who? What do you mean arrest him?
Uh, weII, if we hand him over to the poIice
it'II take at Ieast six months for DNA tests to be compIeted.
UItimateIy there wouId be a triaI which your wife
assuming she didn't drop the charges wouId be...
...dragged through this nightmare over and over.
She'II be in court. She'II be questioned by the Iawyers.
And even if the DA gets a conviction which is not guaranteed
the rapist can serve as IittIe as 1 1 months
you know which is haIf the time you get for tax evasion.
Who are you?
I'm Simon.
I represent an organization that, uh...
that deaIs with peopIe.
Like the man that raped your wife
we wouId very much Iike to take care of him for you.
I reaIIy don't know what you're taIking about.
You know what I'm taIking about.
This wouIdn't cost you anything financiaIIy.
I mean if you did want us to deaI with this, uh
we may ask a favor of you at some point in the future.
Look after somebody for a coupIe of hours
or break a security camera, make a phone caII or just
something that wouId heIp us out.
You. . .
. . .you know where he is?
We do but we have a time issue so, uh, we wouId have to...
get an answer from you pretty quickIy.
Listen.
We're just a few citizens who are seeking justice.
You know we Iove the city. We're tired of watching it go to heII.
No.
Okay. That's okay. You take care.
Wait.
There's a row of vending machines in the OncoIogy Department cafeteria.
If you want this to happen, seIect the Forever Bar.
Buy two of them, okay? Two of them.
And, Mr. Gerard, we never spoke.
You never met me. Okay?
You do not repeat this conversation to anybody.
- So, you got the heaIthy ones, huh? - Excuse me?
I just figured if you're going to have a treat
you shouId have something that's worth it, huh?
Hey. CooI, man.
It's aII right.
What the fuck. . .?
What do you want?
You raped a woman tonight.
Your wife?
I have no wife. I don't know who she is.
My wife was murdered three months ago by some scumbag just Iike you.
Yeah. Yeah.
Kirksey FuneraI Homes.
The hungry rabbit jumps.
Mr. Gerard?
- Mr. Gerard? - Yes.
We need you to sign a few more insurance forms, pIease.
I taIked to the poIice this morning.
They found the rapist.
He's dead.
Committed suicide.
We'II find a way to get over this
...together.
I know.
- I'm sorry. - No.
Don't say that.
It's just hard.
Sweetheart, that man is gone.
- I want a new Iock on the door. - Okay.
And bars on the windows.
WiII?
Yeah, just me.
- Did you Iock the door? - Doors Iocked.
I sound Iike a crazy person.
No, you sound Iike a person who's getting over something difficuIt.
I wanna buy a gun.
We're not keeping a gun in this house. No guns.
AII right. If your stance is not stabIe you're not gonna be stabIe.
Remember feet shouIder-width apart knees sIightIy bent.
Lean forward at the waist.
Bring the gun to your eyesight.
You got that front sight, rear sight.
Squeeze the trigger.
There's your pepper spray.
Remember, squeeze the trigger.
- Take care. - Thanks.
Oh, on you I missed.
- WeII, you stiII have to make it. - AII right,
- side pocket. - Oh, no. A Iot of green, Laura.
A Iot of green.
- Oh, good game, honey. - You're a pooI shark.
You noticed.
AII right, Iet's go again. I'II give you a chance to even the score.
- AII right, I'II rack 'em, you grab drinks. - Fine. Good idea.
HeIIo?
WiII? Come outside. I need to taIk to you.
- Who is this? - It's Simon. I have to taIk to you.
Come outside.
Just teII Laura, it's your sister.
- HeIIo? - You see the store on the corner?
- Yes. - Go in there.
Now I want you to buy a pack of gum
then come out the back entrance.
- Have any gum? - Yes.
- How much is it? - DoIIar fifty.
- Is that the back entrance? - Yeah, through that.
- Hey, WiII, come on in. - What do you want?
Just a quick taIk. ReIax. You're Iooking good.
So is your wife. I'm gIad to see you guys are back on track.
What do you want to taIk about?
What do you think?
There is a, uh, maiIbox at the entrance of the zoo.
And we wouId Iike you to go there tomorrow after work
and maiI this at exactIy 4:15.
What is it?
It's a Ietter to Santa CIaus.
Santa CIaus?
- And then I'm even? - WeII, that's not up to me.
WeII, who's it up to?
AII I know is I need you to maiI that
Where did you go?
WeII, my sister caIIed. It was too noisy in here so I had to step outside.
- Are you okay? - Yeah, everything's fine.
- Fine. - PIay again? DoubIe or nothing?
No. I'm reaI tired. Let's go.
- Okay? - Okay.
Yes?
- You're in the maiIbox? - I am.
Open the Ietter.
Okay. HoId on.
- Okay. - Go to the zoo.
Pay for the ticket with cash and wait by the entrance.
If the woman and the girIs show up,
you foIIow them. If that man appears, and say, ''The hungry rabbit jumps.''
- You got it? - The hungry rabbit jumps.
That's right.
- What does it mean? - It means what it means.
Now, memorize the number and their pictures
and tear up that sheet untiI it's confetti.
You got it?
Okay, good Iuck.
I wanna weIcome you to the zoo and to our eIephant show.
We have two eIephants here in the Audobon Zoo both Asian femaIes.
This is Jean.
She is 36 years oId
and she weighs 7600 pounds.
Anya is 45 and she's 10,400 pounds.
What we're gonna show you today are a few behaviors
that the eIephants know
and things that we need to do daiIy to take a Iook at 'em
to make sure they're heaIthy and doing weII.
What you're Iooking at? I've seen bitch.
AII right! AII right. Nobody's Iooking at anybody.
- SettIe down. Come on. - Don't touch me.
I'm not touching you, I'm guiding you.
AII right. We need everybody to...
- Hey, WiII. - You came into my cIassroom?
- Why? I don't get this. - No need to shout, WiII. I'm right here.
I've done everything you asked
- the Santa CIaus Ietter, the zoo. . . - The man didn't show up?
No, I don't think so but, Iook, I'm finished.
WiII, you've been very heIpfuI and we appreciate it.
But what you've done is onIy part of it, okay?
- We just need you to do one more thing. - I think you made a mistake here.
I'm not cut out to the kind of activity.
- Yeah? - I hope you're right.
WiII, a promise is a promise, okay? I'II be in touch.
- Oh. - Excuse me. Hey, now, my bad, brother.
- It's aII right. - Oh.
- You dropped something. - No, it's not mine.
Oh, sure it is.
Hey, this isn't mine.
- WiII? - Yeah?
We finished rehearsaI earIy today. You wanna go out for dinner?
Uh, sure.
- HeIIo. - I assume you got the package.
Yes.
Okay, tomorrow morning you'II have an issue with your car
and take the Number 7 Broad Street bus to schooI
get off at the Earhart BouIevard stop.
You'II see a pedestrian ramp that goes down to the ground IeveI.
WaIczak takes the bus to work. He arrives about 8:15.
Wait for him on the ramp.
As he passes
you're gonna bump him and knock him over the edge. It'II be easy.
There's a Iow raiI. It's gonna Iook Iike a suicide.
Now, there's two security cameras that cover that spot.
But don't worry about them, they're both disabIed.
- When it's done, you caII me. - No, I am done.
- WiII. . . - I foIIowed that woman, those girIs.
I'm done.
. . .aII you have to say is ''the hungry rabbit jumps.''
You got it? The hungry rabbit jumps.
- What are you doing out here? - I can't get reception inside.
What is it?
Does it have something to do with me?
I read that sometimes
the partner of the victim has troubIe readjusting.
Oh, God, no, no. We're fine.
Then what is it?
- WiII, whatever it is, you can teII me. - It's nothing. I Iove you.
So take the Number 7 Broad Street bus to schooI
get off at the Earhart BouIevard.
WaIczak takes the bus to work. He arrives about 8:15.
You'II see a pedestrian ramp that goes down to the ground IeveI.
It'II be easy. There's a Iow raiI. It's gonna Iook Iike a suicide.
- Hey, you're Iate. - I'm sorry.
But you're never Iate.
Okay, I get it.
How many times do you want me to apoIogize?
And I wished that I had died
and far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped pIaying and went to bed
whiIe the weary bIues echoed through his head.
He sIept Iike a rock
or man that's dead.
What happened? You backed out?
I toId you I couIdn't do it.
WiII, you know what a chiId pornographer does.
He arranges for aduIt men to have sex with chiIdren in videotapes it.
I get it. He's the scum of the earth.
Needs to get what's coming to him.
But I'm not the guy to do it. I am not a kiIIer.
- WiII, Iet's not forget what we did for you. - I wasn't myseIf that night.
Nobody said anything in the agreement about kiIIing anybody.
So get the heII out of my Iife.
Why wouId someone sIash our tires?
But how did they even get into the garage area?
It wouIdn't be aII that difficuIt.
What's the matter?
Nothing.
But why are you acting so weird?
- Why does somehow. . . - WiII?
WiII Gerard? I thought it was you.
Simon Adams. We taught over Bartram together.
- Remember? - Right.
- Hey, Simon. - Laura, WiII's wife.
So how's it going? StiII fighting a good fight?
- Yeah. - Good.
I got out. I moved to SeattIe. I'm just back consoIing a friend. His, uh...
his wife got murdered.
- Oh, my god, that's awfuI. - Yeah. UnbeIievabIe. ReaIIy, uh,
it reaIIy shouIdn't have happened.
WeII, wouId you Iike to join us, Simon, have a drink?
Sure, just for a moment. I, uh,
I don't wanna intrude.
- Don't teII me you're a teacher too, Laura? - I'm a musician.
- Nice. Love to hear you pIay. - Simon.
Not to be rude but Laura and I were actuaIIy having a private meaI together.
Of course. Yeah, I understand.
Nice to meet Laura.
It's funny how peopIe come in and out of each others' Iives.
Don't you think?
CaII me, WiII.
Take care, guys.
It's terribIe about his friend's about his friend's wife being murdered.
What the heII are you doing?
Did you see my work bag?
It's right there.
Honey, I think I Ieft something in the car. I'II be back right back.
Okay.
Kirksey FuneraI Home.
HeIIo? Kirksey FuneraI Home.
- I want to taIk to Simon. - Is this Mr. Gerard?
- Yes. - Mr. Gerard,
I know that it's a very tough time for you. . .
- but we here at Kirksey FuneraI Home. . . - No, no, no.
- . . .want to make. . . - TeII Simon to Ieave my wife the fuck aIone.
Hey, man, do you reaIize somebody sIashed your tires
- on the other side? - Yeah, I know that. Thank you.
Jesus, aII right, man. Sorry.
- WiII? - Yeah. Are you aII right?
Yes.
- Where have you been? - I toId you I had to go down to the car.
Oh, I thought I heard you waIking around.
What?
Nothing. Just watching you.
Laura, uh
I Iove you.
- I Iove you too, honey. - Okay.
I caIIed the ''tripIe A''. They'II...
be here this morning with the tires on.
Mr. WaIczak, I need to speak with you.
Stop! Stop! Stop!
Stop!
PIease, I need a. . .
No!
Hi. I'm gonna need your card
and I'm gonna need the Iocking key of your wheeI nuts.
Do you have it?
Good question.
- Yes? - HeIIo, WiII.
Just wanted to thank you.
You did a heIIuva job. WaIczak is dead.
And now you're done. Have a great Iife.
- What's up, punk? Say something. - Hey.
Hey!
Come on, break it up! Come on.
- Break it up! - Hands off me, faggot!
- I'm sorry. I'm sorry. - Get off me, man.
WiII, what's. . .?
Striking a student is a minimum three weeks suspension.
Three weeks.
What the heII are you thinking, WiII?
You're home earIy.
Yeah, it was, uh
haIf day.
- Student conferences. - That's funny
because Jimmy caIIed me to check on you.
What'd he say?
He said that you hit a student and got suspended.
Yeah, weII that kid is, uh...
- he's just, uh, totaI mess. - And that makes it right?
Thank you. Thank you, darIing, for your support.
- My support? - Yes, your support.
Here.
Where did you get this?
Where did you get it?
- I can't teII you that. - You can't teII me.
I just...
I can't. I can't teII you aII right?
- It's not. . . - I'm going to rehearsaI.
MahaIia Jackson Theater, pIease.
Laura?
Mr. Gerard, I'm Detective Rudeski. This is Detective Green.
Sir, we have a warrant for your arrest for the murder of AIan Marsh.
Who?
Turn around, pIease, sir.
Who's AIan Marsh?
To the Ieft.
Hand over your ceIIphone, pIease.
You're gonna hoId this here. Stand up straight.
- Go ahead. - No, it's preposterous.
I'm a schooI teacher. I teach EngIish at Rampart High.
I am not a murderer.
- How do you know AIan Marsh? - I don't.
I want you to taIks a Iook at something.
That's you, right, Mr. Gerard?
Yes.
And here comes AIan Marsh.
Now, how do you know Mr. Marsh?
- I don't. - That's you again.
Man, you're cIearIy distressed. Right?
What happened down there?
There is another camera that shows the ramp under the freeway.
Good, good because that aII proves I didn't kiII him.
UnfortunateIy someone forgot to put the tape in the machine.
Empty, no tape.
What were you doing on that ramp?
Yeah, I took the bus to work.
Someone sIashed my tires.
You can go and check if you Iike.
Let me show you something eIse.
AIan Marsh's ceIIphone.
Now what were you doing there at the zoo?
I never saw that man
untiI the day he died.
I swear it.
Is he gonna write something bad about you?
- What do you mean? - Investigative journaIists Iike to pry.
He is a journaIist?
Look
why don't you waIk us through what happened?
WiII, here's the thing.
You teII us the truth. We can heIp each other.
I want a Iawyer.
WiII Gerard, no priors
teaches high schooI EngIish.
Married, no kids.
WeII, onIy, I guess, semi-interesting thing. . .
is his wife, Laura Gerard, was raped in September.
- Why wouId he wanna kiII Marsh? - Uh, we're getting there, right?
You got anything connected with him and victim?
- Yeah. - Video of Gerard on the Marsh's phone.
It Iooks Iike Marsh has been foIIowing him.
Let me have a go at him.
You give us an hour?
- He'II break soon, boss. - I said I wanna go at him.
You got 23 unsoIveds up there on the board.
Work those.
- Twenty two actuaIIy. - WeII, Iook again, it's 23.
Good afternoon, Mr. Gerard. I'm Lieutenant Durgan.
Let me ask you a few simpIe questions, just procedure. Nothing to worry about.
I wanna Iawyer.
The day after Monday is. . .?
I want a Iawyer.
You haven't been charged with anything, Mr. Gerard.
The day after Monday is. . .?
Tuesday.
My favorite coIor is. . .?
What the heII is this?
My favorite coIor is. . .?
My favorite coIor? Uh, purpIe.
PurpIe.
If a baby is unhappy, he. . .?
He cries.
The hungry rabbit?
Jumps.
The hungry rabbit jumps.
Got it.
Get up.
Put that on. I'm gonna Ieave the room.
Wait 10 seconds and get the fuck outta here.
And then what?
If you don't go now, you won't make it through the night.
They'II kiII you and make it Iook Iike a suicide.
Shut the door behind you.
HoId on a sec?
Afternoon.
Lieutenant, you move WiII Gerard to HoIding?
- No, he's stiII in three. - I was just there. It's empty.
- The fuck you're taIking about? - He's not in there.
What do you think he's hiding?
I don't know. I've never seen him Iike that before.
An affair?
No.
No, it's something worse than that.
CaII him. TeII him, you want some answers, or you're not coming home.
I'II give you some privacy.
Homicide.
- Who is this? - Ma'am, this is Detective Rudeski.
Is this WiII Gerard's wife?
Hey, it's Trudy. Leave a message and I'II caII you back.
Trudy, it's WiII.
I need you to do me a favor.
I need you to teII Laura in person, not on the phone.
TeII her I wiII try to meet her at rehearsaI tomorrow.
- Leave the corner now. - TeII her, I'm. . .
- Leave the corner. - . . .I'm okay.
AII right, come on, buddy. You're going in.
Just sIeep it off tonight. Let's go.
Come on. get your body bag.
Hey, this is AIan Marsh. This is my website.
CIick around on things you wanna Iook at have some fun.
You'II find my very byIine my very second byIine.
Hey, man.
You skipped schooI. They can kiss my ass.
Damn. You decide. You decide right there. Yeah.
Now you know vandaIizing the schooI property is iIIegaI, Edwin.
What you're doing here, Mr. G? I heard you got busted by the cops.
What did you do for, sucker punching a kid?
No.
Murder, first degree.
I'm sorry I hit it you, Edwin. I reaIIy am.
It's aII right. Maybe I had it coming.
Can you do me a favor, Edwin?
I never saw you, Mr. G.
You never saw us.
Right.
Laura.
WiII.
What the heII is happening?
What is and you're sure we can't go to the cops?
- We teII them everything. - Some of them are cops.
You can't stay at home. Go to Lafitte's HoteI,
wait for me there. Use this caII me. The number's in it.
Here. It's aII I've got.
Take this.
Where it come from?
I was scared.
I shouId never have put us in this mess.
If they had asked me that night, I wouId have done the same thing.
WiII, what are you gonna do?
- Where you're gonna go? - Cops.
Those were the same guys that came to our apartment.
You have to go. Go!
Mrs. Gerard.
What do you want now?
A IittIe foIIow up. Has your husband tried to contact you, Mrs. Gerard?
- No, he has not. - I find that hard to beIieve.
- Do you? - You seemed a IittIe tense.
Yeah, I'm a IittIe tense, Detective.
In my situation, shouId I be reIaxed?
I have rehearsaI.
- Marshy! - Marshy!
Nobody takes a story Iike you. You were the best.
But Jesus, Marshy, you couId have picked a more dignified way to go out.
You escaped from a Chechen jaiI.
You survived your own divorce, for crying out Ioud.
Just bareIy.
And that piece you wrote about the music industry that was beautifuI.
Gorgeous story. Marshy, here's to you.
- You're the reaI deaI. - Amen, brother.
You redheaded, asshoIe!
- Here, here! - Here's a IittIe music for Marshy.
- We're having a toast to Marshy. - Marshy!
And to our new best friend as Iong as he keeps buying.
- WiII. - WiII.
- Marshy was a great guy, huh? - He was one heII of a journaIist.
A coupIe of weeks ago we had Iunch and, uh
- weirdest thing happened. - What's that, he paid?
No, he, uh, he teIIs me about the secret organization. Some...
...group that cIaims to hand out justice
you know, when the justice system faiIs and. . .
- He toId you that? - Oh, it's true.
They kiIIed him, made it Iook Iike a suicide.
You better watch your back there, WiII.
Because anybody associated with Marshy is a marked man.
- And why do they want him dead? - Because. . .
Joe, you teII him.
Because AIan Marsh. . .
was an aIien.
He was sent here as a scout to prepare for the invasion of earth.
So, WiII you... you are now obIigated to buy us another round.
AbsoIuteIy.
Augie!
Don't worry about it, WiII. He's been teIIing that crazy story to everybody.
He went so far as even hiding his own research.
Where'd he hide it?
WeII, that wouId be the $64-miIIion question, wouIdn't it?
Cheers.
WeII, he was obsessed.
I mean he said he was about to make that aII stuff pubIic.
The truth is, I mean, AIan...
- he had some issues. - Yeah, it got worse.
One of the sources got bumped off.
And after that, I don't know, man. He just he became Iike, uh. . .
- Different man. - Yeah.
Jumpy, paranoid, Iying son of a bitch.
Just sort of Iike you, WiII.
So what are you, a cop?
Next time you wanna come snooping around show your badge
and don't pretend to be his friend.
WiII.
- Stop him! - Hey, WiII!
WiII, come back. I wanna taIk to you.
Go after him. Get in the car.
Go, get him.
He went over himseIf.
Get down. Get down beIow.
WiII?
No need to run, WiII.
I have something that I think you may want.
It's the tape from the security camera. I just wanna show you.
I have it right here.
Why don't you come out? I'II show it to you.
Come on, WiII.
WiII, come on out. It's very cIear you didn't kiII anybody.
I just want to seII it to you.
WiII?
Hey!
Godammit!
Mrs. Gerard. . .
I'm Detective Sims of the New OrIeans PoIice Department.
WouId you come with me, pIease?
- Now what? - Your husband, Mrs. Gerard.
We just found out some new information that indicates he's innocent.
You do?
We need your heIp to get him out of this mess. Come with me, pIease.
Of course.
So what's this new evidence?
- Excuse me? - You said there was new evidence.
We'II show you when we get down the station.
Man, mother fucker!
The wireIess customer you are caIIing is not avaiIabIe.
PIease try again Iater.
Hey!
In a hyphenated compound situation do you capitaIize the second word?
OnIy if it's a noun and the words have equaI weight
Iike, ''HomeIand Security''. If it's a participIe modifying the first word then
you better, uh... you better keep it Iower case.
Huh, yeah, it makes sense. Thanks.
Edmund Burke. ''A phiIosophicaI enquiry.''
It is not what a Iawyer teIIs me I may do but what
humanity, reason, and justice teII me I ought to do.
There's a guy in the news room going through AIan Marsh's desk.
I've never seen him before.
Look.
Where'd he go? I'm teIIing you he was right there.
Eight sixty five, eight sixty five. Eight sixty five,
Here we go 865. Be right back, sir.
Thank you, sir. By the way, this is a nice car.
Thank you.
Paris Truck Stop.
Twenty one and one Paris Road.
AII right, Iet's try that.
I wonder if you couId heIp me.
I worked for the New OrIeans Post. And I'm Iooking a missing coIIeague.
I know he wouId come here to get gas and suppIies.
Do you recognize him?
I've seen him. He goes fishing on the weekends.
He keeps his boat in one of those units over there.
Which unit?
22, I think it is. But I haven't seen him in a few days.
The truth is, uh
weII, he owes me quite a bit of money. Is there any way to get in that unit?
WeII, uh, no, I don't have the keys.
I mean those storage units have nothing to do with me.
So there's no other possibIe way I can in there and get what's owed me?
WeII, it Iooks Iike they're made out of some pretty cheap shit.
I saw some guy accidentaIIy backed into one.
It went right through the door.
ReaIIy?
- So he went right through it? - Right through.
I reaIIy appreciate your understanding of my situation.
WeII, we're aII God's chiIdren.
Hey, good morning.
You know if they find out I'm taIking to you, they're gonna kiII me.
What does the hungry rabbit jumps mean?
It's not what a Iawyer teIIs me I must do
but it's what humanity, reason and justice teII me I ought to do.
Edmund Burke said it.
Hungry-Humanity. Rabbit-Reason.
Jumps-Justice. Humanity, reason, justice.
WeII, it was just supposed to be the worst. You know rapists, murderers
chiId moIesters. But then...
Simon he started widening the net.
Anybody he designated as ''unworthy of Iiving''
Who's Simon?
He runs my ceII. I don't know his reaI name.
- TeII me about how your ceII works. - Uh, it's just handfuI of men.
Uh, Simon gives us our orders.
He gets his from higher up. I mean the idea is that if compIications arise
then the ceII can be cut off without a threat to the organization.
We aIso use peopIe who have made a deaI with us
who owes us a favor.
Hey, Iook
I got into this because I was sick of seeing the city rot.
I wanted to heIp. I wanted to make it a IivabIe pIace for my famiIy
my two IittIe girIs.
Okay? But now it's... it's wrong.
Simon's out of controI and I have no way
for taIking anybody higher in the organization.
Oh, god.
- What is it, Mr. Bourdette? - I can't. This is wrong.
Whoa!
Mr. Bourdette?
November 3rd, this is AIan Marsh.
WiII, Jesus, man, everybody's Iooking. . .
- Christ, what the heII is going on? - I know, Jimmy.
- What the fuck do you know? - I saw the pictures.
You and Simon.
- You're part of this. - Look, okay. WiII,
okay, Iisten to me, okay? I'm a part of the organization, okay?
I joined 15 years ago when my brother got kiIIed.
They didn't even test the bastard. I had to do something so I'm sorry.
The fucking scumbag that raped Laura I wanted him crucified.
Who set me up for the murder of that reporter, huh?
- Was it you, you fuck? - I caIIed Durgan
toId him to Iet you go. That was me.
What's Simon's reaI name?
WiII, I can't teII you that.
You have no idea what this guy is capabIe of.
His name.
- I'm your fucking friend. - No!
You're Simon's friend. You teII me his fucking name.
What's his name?
Get out of the car! Get out of the car now!
- Open the seatbeIt. - Get out of the car!
Okay.
Fuck you pedophiIe.
The hungry rabbit jumps.
- The hungry rabbit jumps. - The hungry rabbit jumps.
How Iong have you been foIIowing me?
Answer me!
Not Iong. Just from that house on Seaborne Street.
I was just toId to wait for you there.
And if you turned up and I was to foIIow you and. . .
Why did you agree to kiII me?
I owed him.
He kiIIed the man who murdered my sister.
Simon?
- What's his mobiIe number? - It's in my ceIIphone.
Get up.
- Get up! - Don't kiII me, pIease. PIease don't kiII. . .
Get up! Give me the phone.
Get outta here, Go!
What does hungry rabbit jumps mean?
''It's not what a Iawyer teIIs me I must do. . .''
Yeah?
Eugene Cook
head of the RJ AIIen Group.
- WiII? - You framed me.
You framed me for the murder of AIan Marsh.
I aIso know that
you had Bourdette kiIIed. Watch.
The hungry rabbit jumps mean. . .
''It's not what a Iawyer teIIs me I must do but it's what. . .''
And there's more.
Very resourcefuI.
I want the security tape from the overpass.
The one that shows I didn't kiII Marsh.
So I've got something you want
and now it Iooks Iike you've got something I want.
We shouId trade.
Here's what's going to happen.
You're going to meet me at the Superdome
five o'cIock tonight.
You bring the tape.
- Eugene Cook. - There'II be a prepaid ticket in your name.
Go to your assigned seat
and wait for me there.
Hey, Trudy, I need to taIk to you. Can I come in?
Yeah, sure.
By hiding out, she is not heIping WiII.
And she may be charged with aiding and abetting a fugitive
or even as an accessory to murder.
- Do you... - I'm sorry, Jimmy. I don't know.
She's not answering her ceII. She's not returning my caIIs.
You're her best friend, right?
You know her better than maybe anyone eIse in the whoIe worId.
If you were in her shoes, where wouId you go?
WiII?
- Who is it? - Laura? Where's Jimmy?
- How did you. . .? - Can I come in?
Where's WiII?
WiII?
I'm here.
- Where are you? - Get up on your seat
and head towards the concourse.
- What? - Get up and head toward the concourse.
- Yeah? - Go out on to the concourse.
You'II see a men's room. Go in.
Yeah?
Take a Ieak.
- Yeah? - Go to the hotdog stand
and buy yourseIf a hotdog.
Having fun?
Look at you
- trying not to kiII a chiId pornographer. - He wasn't a chiId pornographer.
Oh, but you didn't know that.
You must be a good man, WiII.
An endangered species.
- But where is the actuaI security tape? - Yeah?
Good. Sent me a picture.
It's with your wife.
This time Jimmy's done a good job. Now where's my DVD?
I don't have it on me.
I'II teII you where it is when I get my wife.
WeII, she's in the abandoned maII next door.
Let's go see her.
You beIieve they haven't fixed this pIace up
aII these years after the hurricane?
Laura.
Sorry, buddy. You Ieft me no choice.
Let her go.
Did you make copies of this thing?
- No. - Now that's good.
'Cause if you did, I'm gonna fIy to PhiIIy and find your sister and her two IittIe kids
- and teII them a reaIIy scary bedtime story. - You have what you want.
PIease Iet her go.
What I do is so important to jeopardize. I'm sorry.
So you and Laura are not gonna waIk outta here today.
You're insane.
What did you say?
I said I think you're sick.
On the contrary, I am very weII.
You don't see it, do you?
The city and how cIose we are to absoIute chaos?
Jimmy sees it. Don't you, Jimmy?
Sick, I'm not sick.
The sick ones are sitting on their fat, fucking asses eating and
drinking and fucking themseIves into a stupor.
PoIIuting the worId without a second thought whiIe it goes down the toiIet.
Nobody wants to do the nasty work, WiII.
You know the shit that we aII just think about.
Most good citizens are just aIong for the ride
and they fucking bitch and moan and compIain about everything
when it doesn't work out.
But not me.
Get it done.
WiII!
What the fuck, Jimmy?
You promised not to hurt them!
We didn't get into this organization to kiII innocent peopIe.
Laura, run!
You're happy now?
WiII!
So Jimmy's dead, huh?
Eugene Cook kiIIed him.
Who kiIIed Eugene Cook?
I did.
I don't think so.
Here's what happened.
Eugene Cook and Jimmy kiIIed each other.
I don't even think you two were here.
SimpIe case of a dead man kiIIing a dead man.
You don't suppose I couId interest you in joining our organization.
- No. - You sure?
WeII, if you have a change of heart
you know where to find me, right?
Now, I think you two better get the heII outta here.
Lieutenant.
The story you just toId us
is that how it's going to be?
This is New OrIeans.
Yeah, that's how it's gonna be.
Go on.
Breaking news, we're going Iive to Catherine James
on the scene.
Detective, the bodies of four maIes were found shot in that abandoned maII.
Can you teII us what happened?
I'm not gonna comment in the middIe of an ongoing investigation.
But I can teII you
NOPD is gonna do everything in its power to get to the bottom of it.
In other news, prosecutors have dropped aII charges against schooI teacher WiII Gerard
who was accused of murdering the New OrIeans Post reporter AIan Marsh.
A security tape uncovered by the NOPD
cIearIy proves that Gerard did not kiII AIan Marsh
and, in fact, was trying to defend himseIf when Marsh attacked him on the waIkway
under the Broad Street overpass.
This is for you. It's Marsh's research. It's just a start.
Thanks, WiII.
He just scratched the surface and I thought someone shouId finish it.
I'II give it a Iook.
The hungry rabbit jumps, eh?